“Everlasting Motion Monoliths” presents a series of metallic fluid sculptures that materialize a continuous process of transformation. Neither fixed nor finite, these forms resist categorization, reflecting the ever-evolving relationship between art, identity, and materiality. They appear as if caught mid-movement—between solid and liquid, between reflection and distortion—inviting viewers into a meditative encounter with the undefined and the transitional.

Simulating natural phenomena through forms that feel organic yet are made of refractive nickel, the works confront the human urge to separate what is called natural from what is called artificial. In truth, everything we name emerges either from nature, from human intervention, or from the entanglement between the two. Their mirrored surfaces seem to adapt to their surroundings, camouflaging within the space while simultaneously breaking it. The reflection is never whole: organic distortions generate subtle glitches, unsettling what they mirror and exposing the fragile tension between context and object, perception and reality.

At their core, the sculptures live between categories—adaptive and disruptive, natural and artificial, invisible and hyper-visible. They invite viewers to reconsider the boundaries we impose on matter, and to witness how perception itself creates distinction.